Within the whole process the head, body and tail went through various changes, which were necessary if you compare the first and final Blockout. This part takes the longest, since I really focus on keeping the polycount low as possible but at the same time I don’t want the shapes to look too blocky or not rounded.

After the first blockout, I start to polish every object and try to get the proportions right in relation to all the different objects within the scene. In this case, it was the house with big elements like the head, tail, main body, legs and the mountain. It’s like the 8-bit vibe in music for retro soundtracks, or the pixel art video games: just because the. First, I start with a rough blockout, where I get the main shapes of the scene into place. Modelling a low-poly tree in Blender (timelapse, 1') Music by the author. I decided that I want to get as close as possible to the design of the concept but at the same time, I wanted to give the various materials more detail and basically recreate the scene in my handpainted style.Ĭhameleon House by Curlscurly on Sketchfab Modeling It also offered a big variety in different materials, which I always like to practise and get out of my comfort zone.

The colours work especially well together and convey the whimsical feeling to the environment.

Memesu’s work inspired me a lot in many aspects.The incorporation of the chameleons main body shapes that transitions into a colorful laboratory is a really interesting approach of a building design.

Low poly art blender